Ocean Giants: Voices of the Sea, BBC One
(Author: Jeff Fyke)
One cannot deny the importance of having a voice. A primary means of expression, the ability to make a bit of noise is invaluable to humanity. And so it is with the creatures of the sea. Whether used for communicating, navigating, hunting, or just plain being silly, whales and dolphins engage in some of the most fascinating displays of vocal abilities one is ever liable to hear.
In the final part of the BBC’s Ocean Giants series, such abilities, as well as their purposes are explained, or at least attempted, in great detail. We are aided by several knowledgeable scientists, and two very enthusiastic cameramen (Didier and Doug). And to navigate us through this auditory landscape of the sea, is, fittingly, the most mellifluous voice of them all – that of Mr. Stephen Fry (who also narrated parts one and two of this series). Like David Attenborough, Mr. Fry has a gift for vocalising scientific exposition to the effect of drawing his fellow mammals in with his undeniably dulcet tones. He’s like a lovely, inviting humpback whale in that way … Really, this is meant to be complimentary.
Not all sounds are as inviting however. Take, for instance, those of the giant sperm whale, who hunts using “the loudest sounds made by any animal on the planet.” Sperm whales use a series of loud clicks to hunt in the darkness of the ocean deep. In a fantastic sequence, we watch as a giant squid (over 30-ft in size) falls prey to a giant sperm whale. The squid, ironically, has nowhere to hide in the complete darkness of the deep of the Caribbean. To give us an idea of the power of these clicks, it is said that the effect of one such click at a diver is like being kicked in the chest by a horse.
Alternately, we find, witnessing the case of a stranded baby sperm, the clicks can be used as a distress call, carrying down more than a mile. And before you know it, the mother whale has come out of the blue for a swift rescue.
The use of sound-waves, known as echo-locating, can be necessary for survival, as is the case with narwhals in the frozen Arctic Ocean. Firing off a series of sonic pulses, these narwhals are able to locate vital breathing holes in the ice.
Echo-locating also comes in handy deep in the Brazilian rain forest where strange-looking dolphins, called botos, must catch fish in darkly muddy waters. These botos utilise a “two-sound system”: chattering for communicating with one another, and then scanning for food with clicks. The boto’s echo-locating skills can be honed to the point of finding a solitary pin in sea of well-brewed tea.
Once we’ve grasped the basic use of sounds in the sea for communication and hunting, the ante is upped, for we find that sound, or lack thereof, can be used in a highly coordinated fashion. For this, we are given the inherent expertise of killer whales as an illustration. First, they show off their savvy with a purposeful lack of sound in a sly, skillfully silent hit on a group of unsuspecting baby seals. Then, in an even more brilliant feat, the killer whales round up shoals of herring for a massive feast. How?, you ask. A combination of echo-locating, and a high-pitched herding call force the herring into panicked schools where they are roundly thrashed and stunned by a series of tail swipes. The killer whales then leisurely ingest their beaten prey.
But then, showing it isn’t all just about the shrewd auditory means of aquatic mayhem, we’re treated, in the concluding segment, to the beautiful, lulling sounds of humpback whales. This “wonderfully mysterious” whaley past-time is seemingly devoid of purpose. An unending set-list of underwater improvisational jazz beamed out for thousands of miles in every direction. One would hope that’s it’s just for the sheer beauty and enjoyment of it, but no one really knows.
So, as the sea is packed full of chattering, bellowing, clicking creatures, is this programme filled, to the brim, with information. It’s also quite striking – like the best of the BBC’s science programming, it’s thoroughly engaging with its breathtaking images, wonderful percussive score, and, above all else, its fascinating content. It’s another example of how human beings stand to benefit a great deal by, every once in a while, shutting up and giving the world a good listen.
Ocean Giants: Voices of the Sea aired Sunday 28th August on BBC1, and is now available on BBC iPlayer.
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6:57 pm
Although I loved watching the television series, I am surprised and disappointed that the documentary did not talk at all about the impact global sea traffic is having on cetaceans and the slaughter that goes on every year by the Japanese, Norwegian and Icelandic governments of cetaceans. Today begins the annual slaughter of dolphins in Taiji, Japan, and this series could have been used as a platform to voice the plight of these creatures.
5:25 pm
I think this was one of the best natural history programmes I have ever seen;superb filming;good music that actually added to the programme,rather than detract from it as is normal,and Stepen Fry’s narration was superb;are there any plans to repeat the series? Or,better still,issue it on a DVD?
6:15 pm
I agree, a wonderful series. The DVD is currently listed on Amazon, but with no release date. I’m sure it’ll be available within the next few months.
http://www.amazon.co.uk/Ocean-Giants-DVD/dp/B004P9MRR6
7:52 pm
The US Amazon store has a release date listed as 6 March 2012! Just pre-ordered it.
http://www.amazon.com/Ocean-Giants-John-Hurt/dp/B006ZYCH2E/ref=lh_ni_t